I recently wrote about my teeny-tiny New York City apartment. In case you’re into house porn, here’s a little voyeuristic peek at one of my favorite things inside my home. (Yeah, yeah. Ignore all the shit in the background. The snapshot was taken months ago when I still moving in, packing things away and cleaning up. I’m still messy at times, but I’m not this bad.)
In 1992, I sculpted the object above from a hunk of clay, fired it in a kiln and covered it in tinted glaze. As a little girl, I dreamed of being a writer, dancer, world traveler or painter. However, with age, somewhere along the way I began to believe what everyone around me was saying: “growing up” meant choosing things simply because they’re “practical” (read: financially rewarding). I started the first 5 – 6 years of my career working well-paid, prestigious and safe jobs in international affairs. It felt good to support myself and, if I’m honest, impress others with fancy gigs.
When people asked, “So, what do you do?” I boasted: “I work at the American Embassy.” My verbal back pat probably sounded smug and annoying. But, inside, I felt like I was suffocating by following the crowd, doing what I was supposed to do, and behaving in ways I thought others would deem appropriate or impressive. Long story short: September 11 triggered an internal existential crisis that reminded me life moves pretty fast and you never know when your road will run out. It suddenly seemed kind of stupid to do jobs just because I thought others would like them. I wanted to do stuff I liked.
Everyone is wired the way they are for whatever reasons. Words, art and images inspire me more than money. So, I returned to the U.S. to pursue creative endeavors that yielded far less cash, yet were more emotionally fulfilling and rewarding. But, first, making the switch meant I had to become more comfortable with who I was. One of my favorite Pablo Picasso quotes is: “Every child is an artist. The problem is how to remain an artist once [one] grows up.” In 2002 — coincidentally, almost exactly a decade after fashioning the artistic piece above from clay — I came back to the U.S. and eventually moved to New York, finally embarking on my childhood dream of becoming a writer. My company/brand name, FUNKY BROWN CHICK®, reminds me to be true to myself . It’s okay to be funky. I’m comfortable inside my brown skin. I like being a chick.
Harking back to the beginning of this post, my 459 sq. ft apartment isn’t large; I can observe almost everything in it regardless where I’m standing. So, I see the pottery above several times a day. It’s not worth much nor it is the most beautiful piece of art ever made, but it makes me happy. To me, that’s priceless.




