From the monthly archives:

November 2009

I think I’m going through something. Is there a name for the period between the quarterlife crisis and a midlife crises? Maybe 33 and 1/3 or something like that? Over the past month or so, I’ve put more thought into adulthood, my career, how I spend my days, friendship, my love life and etc. I’ve even started listening to Tara Brach‘s Buddhist meditation podcasts. I think I’m searching. For what, I don’t know. I’m not sure what triggered my recent bout of introspection. Could be the weather. When the sky turns grey and the temperature drops, I tend to hibernate. I don’t own a television because I read, catch up with friends and family on the phone and organize my life more without a timesuckage box in front of me. (Granted my computer screen has become the new I.V. drip, but that’s conversation for a completely different post.) As I was saying … More time at home = more thinking.

If the weather isn’t affecting me, it could be something else. Maybe the book. I’ve said: “After it’s finished, everything is up in the air.” Will I stay in New York or move to a different city? If I move, will I stay in the U.S. or go back to Europe? I’ll likely always be online; however, will I keep writing for magazines and newspapers (a dying, underpaid art form) or will I switch to film and television writing (growing, higher paid). Speaking of money, maybe the economy is kicking my ass toward more self reflection? There’s nothing like a good ol’ fashion recession to shake everything up and make you wonder: Is what I’m doing at this very moment worthwhile, important and true to my dreams? Currently, thankfully, the answer is yes. I want to write a book. I want to live in New York. Still, I’m kind of of turning a lot of different “longterm” ideas around in my head.

I find life transitions exciting, fun, scary, interesting and challenging. I’m not risk averse; I’ve moved around a lot and worked in different fields. I was a bartender in London, taught in Florida, managed film courses in Chicago, led a theater program in New York and dabbled in a bunch of other things in between. The most interesting part about making a “life change” is the period right before I make the jump. It’s that “what if” part. What if I do ___? What if I stay right where I am? I’m never 100% certain of the outcome. Ah, Uncertainty.

IFC Films Uncertainty

Do you mind a tangent? No? Okay, good. Have you seen the movie Sliding Doors? I thought it was really good, though I often wonder if it’s because I overidentified with the film’s “what if” theme. The plot developed as Gwynnie Paltrow ran to catch a train. Semi spoiler: In one scenario, she arrived home in time to catch her boyfriend cheating on her. In the other scenario, she arrived late and didn’t find out he was screwing around. It gets interesting because you see how her life radically changes based on such an insignificant act: catching a train. It’s worth mentioning, when I saw the movie, I was living in London and I hadn’t yet decided if I would return to the U.S. or stay in England. In the end, I left.

Fast forward 11 years. I’m in New York now. There’s a new movie, Uncertainty. Go look at its Tumblr, Facebook and Twitter. Pssst! If you’re a fellow New Yorker, see Joseph Gordon-Levitt (who, by the way, looks A LOT like that Terminator kid,  a young Edward Furlong) in person along with directors David Siegel and Scott McGehee at the Friday evening shows. See IFC Center for details. The timing of the film’s opening is quite serendipitous. Description: “What if? A couple at a crossroads in their relationship, facing, one fateful July 4, the seemingly simple decision between a family barbecue or dim sum in Chinatown. Splitting the tale in two, exploring what happens as the couple follow both options and the consequences of making a choice–or not.” Should be interesting. That’s all. I don’t really have much else to say. Just, you know, thinking about being an adult and living everyday life.

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Credit paid: Image above appears courtesy of IFC Films.

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(I’ve got a few pictures uploaded to Flickr. More coming soon.)

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“Romantic love is a drive. In fact, I think it’s more powerful than the sex drive. You know, if you ask someone to go to bed with you and they say “no thank you” you certainly don’t kill yourself or slip into a depression. But, certainly, around the world, people who are rejected in love with kill for it. People live for love, kill for love and will die for it.”

Helen Fisher, author of The First Sex, Why We Love and Anatomy of Love: A Natural History of Mating, Marriage, and Why We Stray

Heads up: The video clip above is 20+ minutes. It’s a bit long, but it’s thought-provoking and worth watching. I’m much more drawn to these kinds of discussions than the fluffy “Top 10 Ways To Turn Your Man on TONIGHT!!!!” stuff.

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ING - 2009 NYC Marathon  (7 of 20)It’s National Novel Writing Month. Basically, a bunch of people will to start writing November 1 and continue for 50,000 words / 175-pages until November 30. It probably sounds harder than it is because, believe it or not, quite a few people have done it. How to Knit a Love Song, Flying Changes: A Novel, Wish You Were Here and other books are reportedly successful NaNoWriMo projects. I’m not participating this year because I’m smack at the tail end of my finishing up my memoir and I don’t want to get distracted by starting another project. And, since, we’re on the topic of writing in general, here’s the latest update about the book … I’ve written 79,609 words. I have three chapters to finish re-editing. For now, I aim to wrap it up by late December / early January. On Twitter, Affable Alpha asked me, “Is it preferable to write the entire novel before submitting it? I feel like doing so would be a waste of time [...] I was thinking of writing a synopsis for every chapter of the novel and then submit it to the literary agent or publisher.” Ah, the ongoing “proposal” vs “full manuscript” debate. I chose the latter route to:

  1. Follow advice. One of my writing mentors successfully wrote and sold 7 books in the past 7 years. Each time, she handed in a full manuscript instead of a proposal. It worked for her, and she suggests her students do the same.
  2. Reduce stress. I’ve written articles, penned columns and contributed chapters to others’ anthologies. But, this is my first full memoir. As I mentioned in my last update, it’s nice to take as long as I need to grow, learn and finish it — without the added stress of looming deadlines from editors. That will come later :)
  3. Get it out of the way. As more than one published authors reminded me: “It’s not like finishing the proposal means you don’t have to write the book. You’ve gotta write it anyway, so may as well do it now.”
  4. Understand the Project. For me, the biggest benefit of writing the full thing is that I’ve come to understand my project MUCH better. When I started, I didn’t have a clear sense of what I was doing with it. I knew I was writing a memoir, but the outline was pretty vague. I’m much more focused now that I’ve written the first full draft.

That said, quite frankly, I don’t think there’s one “right” way to write a book. Jean-Dominique Bauby supposedly finished The Diving Bell and the Butterfly by blinking the whole thing out one letter at a time over the course of a year or so. NaNoWriMo are sprinting through it all in a month. Cliff Chase, one of my favorite people from my time spent working as a peon at Newsweek, told me he dedicated many many years to finishing Winkie. (The book Writing a book is like completing marathon. Both require a tremendous amount of motivation, effort and time. But, the purpose isn’t to “win.” It’s about finishing it at your own pace to accomplish whatever personal goal(s) you’ve set for yourself. So, I guess the question: “How should I write a book?” is: Follow whichever way works for you and stick with it the best you can until you finish.

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Credit paid: Marathon image is by Randy Lemoine

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Shout out and extra special thanks to everyone at Cafe 50 West for being so kind to our crazy group.

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